This is a book, that when I entered this review in 2020, that I could't remember a solitary thing about. That’s why my author’s blog is called Dialogue To Follow… Mostly, however, I plot and dialogue at the same time, sometimes with music playing in the background, but usually fully immersed in the writing and talking to myself as I sound out SFX and cool character interactions. Chuck Dixon and Scott Beatty's first year of the Barbara Gordon 'Silver Age' Batgirl. Often the momentum of the story pulls me along and I either skip dialogue or put-in placeholder text until the final write-through. Otherwise, I begin with an idea or fully-realized plot and then sit down and write. After that I wrote Marvel-style outlines for each page-spread and Butch did all the rest in art before it was handed back to me to dialogue. I either flew to Florida for epic plotting sessions or talked over the plot in conference calls with the entire team. There I collaborated with penciler Butch Guice, inker Mike Perkins, and colorist Laura Martin on each and every story. S: I’ve always written full scripts for nearly all of my work except for my time on RUSE at Crossgen. R: Now, returning to comic books, can you tell us what's your process for writing a comic book script?
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